Magdalen Poljak

Vitals

Gender
Female
Pronoun
she/her/hers
Age Range
20 - 28
Ethnicity
European, East European
Height
181cm
Base Location
Sydney
Available In
Brisbane, Gold Coast, International, Melbourne, Perth, Sydney
Skills
Actor
Hair
Red
Eye
Hazel
Memberships
M.E.A.A

Agent

Agent
Freelance Artist
Phone

Feature Photo
Magdalen Poljak
Feature Clip

Credits

2026

Short Film
Jules
No Faces No Consequences
AFTRS
Lavanya Wickramasinghe

2025

Theatre
Victoria
[BLANK]
Belvoir
Ed Wightman
Short Film
Toni
BRICKS
Screenwise
Felix Williamson
Short Film
Emily
Interrogation
Screenwise
Alexandra Davies
Short Film
Edie
Pub Talk
Screenwise
Alexandra Davies
Short Film
Chloe
What's left unsaid
Independent - Tropfest submission
Sashi Melvin

2024

Television
Susan
Ten Pound Poms
STAN
Ana Kokkinos

Training

2026 - present
Sydney Acting Studio
Ongoing Camera Class
Screen Acting
2026
Sydney Acting Studio
Natalie Wall Casting Workshop
Auditioning
2024 - 2025
Screenwise
Advanced Diploma
Screen Acting
2023
Ben Matthews Acting Mastery
6 week Scene Study course
Scene Study
2020
NIDA
Early Bird Workshop
Theatre

Skills & Attributes

Shoe Size
10
Clothing Size
Female - 10
Bra Size
DD
Natural Accent
Australian
Accents
American Standard, Australian, Brooklyn, English, Southern
Languages
English
Hair Length
Long
Hair Style
Wavy
Instrumental
Piano / Keyboard
Dance
Hip Hop
Singing
Pop
Sport
AFL Football, Cycling, Swimming, Netball, Pilates, Tennis, Soccer, Running, Athletics, Volleyball, Ice Skating
Drivers Licences
Car
Professional Skills
Actor

Media

Public Media
1:47
Public Media
1:45
Public Media
2:00

Photos


Notes

Magdalen Poljak is a Sydney-based actor and graduate of the Advanced Diploma of Screen Acting at Screenwise Film & TV School. She has trained extensively, including studies at NIDA, and continues to develop her craft through ongoing professional training. Her screen experience includes work on the Stan series Ten Pound Poms, alongside performances as Toni in Bricks, Chloe in What's Left Unsaid (2025), a Tropfest submission, and Jules in No Faces No Consequences (2026). Drawn to contemporary, character-driven storytelling, Magdalen is particularly interested in projects that explore the complexities of human relationships, identity, and personal growth. With a naturalistic approach to performance, she brings authenticity, emotional depth, and vulnerability to her work on screen.