Chloe Schwank

Notes

Biography Chloë trained at the Actors College of Theatre & Television (ACTT), graduating in 2007. Her theatre credits include lead roles in Blood Wedding (La Fábrica de Microobios/Gente Perdida at Flight Path Theatre), A Very Expensive Poison (New Theatre) and Life is Impossible (subtlenuance/Old 505 Theatre), roles in The Serpent's Teeth (HBR Creatives/KXT), How To Change the World and Make Bank Doing It (Sydney Fringe Festival), Through These Lines (TurnAround Prod.), Helena A Midsummer Night’s Dream and Luciana in The Comedy of Errors (Shakespeare by the Sea), Julius Caesar (Anthony Skuse), W;t and Cosi (New Theatre), Mongrels and Roberto Zucco (ACTT) and Beatrice (ATYP). Screen credits include feature film Latency (Lionsgate), TV series Watch With Mother (The Glue Society), Deadly Women (Beyond Productions) and Axmo Deus (Anima Roadshow) as well as award-winning short film Shift (Palm Springs 2014, Cinequest 2014, Julia (Flickerfest 2021) and Sarah Sloane: The Rash (Tropfest 2013 shortlist). Her voiceover experience includes corporate, commercial, narrative and character voiceover in English and German as well as audiobooks. Chloë is currently the voice of the Amaysim Mobile customer service hotline. Her writing includes a monologue Tampax? which she performed at the Storyteller Festival 2019, a short play Playing Dirty performed at Short & Sweet 2005 as well as English translations of German plays Threesome Without Simone by Kristo Sagor performed at ATYP and I’m Sorry Dad But I Have To by Laura Naumann, which was published in Europe in 2011. Chloë is a bilingual native speaker of both English and German. Apart from her acting qualification, she also holds an LLB Law with German Law from King's College London.