Cultural background: Korean Logie Awards 2026: Best Lead Actress in a Drama Nominee The Equity Ensemble Awards 2026: Outstanding Performance by an Ensemble in a Mini-series or Telemovie Winner National Film Awards UK: Best Newcomer Nominee Gold Derby Awards 2026: Breakthrough Performer of the Year Nominee Gold Derby Awards 2026: Best TV Drama Actress Nominee Logie Awards 2023: Most Outstanding Supporting Actress Nominee. Casting Guild of Australia Awards 2021: Rising Star Award. Yerin Ha // Bridgerton S4 Reviews "Ha dazzled Bridgerton fans in the fourth season of the popular Netflix series as Sophie Baek, the whip-smart maid who won Benedict Bridgerton's heart. Through Ha, audiences embraced Sophie, a determined young woman intent on achieving some semblance of happiness despite her status." — Variety, Young Hollywood Impact Report 2026 "Ha’s performance wasn’t just impressive for the season, it set a new bar for the series." — VARIETY "Benedict’s love interest Sophie Baek is played by newcomer Yerin Ha in an outstanding introductory performance" — VULTURE, New York Magazine " Season 4 Part 1 offers a slight twist on the classic “Cinderella” story, the romance between Benedict and Sophie Baek (an outstanding Yerin Ha) […] Ha is also fantastic in her role as a sharp and earnest young woman intent on carving out some semblance of happiness for herself in a culture that has deemed her invisible." — VARIETY "Yerin Ha is sharp and effervescent as Sophie, and it’s hard not to fall in love with her almost instantly."—THE WRAP "...the magnetic newcomer Yerin Ha as [Luke Thompson’s] romantic foil, Sophie. The actress is by the far the highlight of the season, at least in the first half made available for review"— USA TODAY "Ha is mesmerising as Sophie, managing to convey yearning, nervousness and dignified pride simultaneously"— THE TIMES Yerin Ha // The Maids Theatre Reviews 'Madame arrives in a blazing tantrum of irritation, played with a hilarious blend of narcissism and nastiness by the wonderful Ms. Ha' — Wall Street Journal 'Yerin Ha’s Madame blows through the middle of the play like a capricious cyclone, alternately indulging and excoriating her servants, bestowing items from her absurd wardrobe then snatching them back […] 'The performances are a marvel of speed, focus and technical adroitness.' — The Standard 'The melodrama of this fantasy of dominance and subservience is played out for real when Madame (Yerin Ha) enters the bedroom. She is silly, spoiled, hyperbolic and monstrous'—The Guardian